About Luciano Drehmer
Brazilian artist Luciano Drehmer, aka Drehmer, is known for his thought-provoking art that explores the blurred lines between originality and appropriation, parody, and copyright through visual metaphors, paintings, comics, and manufactured art, particularly in China. After studying design at the European Design Institute and receiving a scholarship in 2005, Drehmer's works gained viral attention on social media and were featured in exhibitions, magazines, and media outlets worldwide, including The Wrong Digital Art Bienalle and Brazil's largest media group, "O Globo" Newspaper. Since 2016, Drehmer has actively participated in various art fairs and exhibitions in Asia, showcasing his thought-provoking and culturally-influenced artwork to a global audience.
While living in China and immersing himself in the culture, Drehmer learned about the concept of Shanzhai or counterfeit products of doubtful origin. He discovered that while in the West, these copycats are viewed negatively, in China they are seen as a form of social justice and equality. This realization inspired Drehmer to explore the differing perspectives between the West and East on the ethics of copying in his art. In 2019, he launched the Drehmer Manufactory, where he and a team of assistants based in China recreate limited, numbered, and encrypted copies of his works, similar to Andy Warhol's "The Factory" concept.
You can easily find me at
朝阳区远洋天地一期54号楼1单元8层803
Ocean Plaza, Chaoyang District, a 54, Unit 1, 8th Floor, 803, Beijing, China
+86 186-7554-5132
hello@drehmer.co
wechat: drehmer
CORPORATE
Carrefour / Jack Daniel's / Coca-Cola / Google / Spotify
ARTS & EDUCATION
MAR - Rio Art Museum / MASP - São Paulo Art Museum / SESC / Grupo EmpreZa / University of Goiás / IED - European Design Institute / Brazilian Design Bienalle
FASHION & LIFESTYLE
Nike / Amazon Fashion / Melissa / Rockstter / IdeaFixa
PUBLISHING & EDITORIAL
GQ Magazine / Rolling Stone Magazine / Folha de São Paulo / Valor Econômico / Super Interessante / Você S/A
I had the honour to work with
“It is not necessary for the public to know whether I am joking or whether I am serious, just as it is not necessary for me to know it myself.”